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Bob Dogan
Andys Jazz Club
September 3rd 2010
11 E. Hubbard
Chicago, Ill
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Louies Chophouse
September 3rd 2010
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A Trip Back in Time with Nicole Kestler

A Trip Back in Time with Nicole Kestler

Date Posted: November 11 2009

Written By: Randy Freedman

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Nicole Kestler is a talented and versatile Chicago vocalist who performs on a regular basis in several different musical styles. She sings as half of the pop/rock duo she formed with Chicago pianist/vocalist Professor John, and she also fronts a swing/blues dance band called the Rhythm Rockets, which appears frequently at venues like Green Dolphin Street.

However, after having heard her terrific 2003 jazz album High Standards, I was especially eager to catch her on an occasion when she would be singing the kind of jazzy American Songbook classics featured on the CD. I made a point of catching her performance on Friday, September 25, at Katerina’s Supper Club, with pianist Brian O’Hern, who accompanied her on High Standards as well.

Born in Texas, and raised in Detroit, Kestler moved to Chicago in the early 1990s. Her first professional singing performance followed in the mid-nineties when she appeared with Alan Gresik’s Swing Shift Orchestra at one of Chicagoland’s many outdoor festivals. Before the decade ended, Kestler had begun her musical association with O’Hern that continues to the present.

On stage, sitting on a stool next to the piano, Kestler began her performance with Irving Berlin’s “Blue Skies.” Accompanied enthusiastically by the vaudevillian music hall-like sound of O’Hern’s piano, Kestler gave musical notice from the start that she was going to be using all of her abilities to transport the audience back to older, perhaps simpler times when this music was written.

At first glance, one might be tempted to file Kestler among the cute “girl next door”-type of vocalists. But it doesn’t take the listener long to understand that this “girl next door” has an edge to her.

While making eye contact with as many members of the audience as possible during “Blue Skies,” Kestler flashed a dazzling smile that, as the saying goes, lit up the room; except this particular smile lit the room with the imagery of dim, gently flickering “speakeasy” lighting reflecting off clouds of cigarette smoke generated by zoot-suited gents sipping bathtub gin at the bar.

That smile was working some serious overtime as it set the mood for the rest of her performance and started her audience on an elegant time-machine journey to bygone days: a journey fueled by Kestler and O’Hern’s focused performance and evocative song selection.

Some of the evening’s musical highlights included favorites like “Accentuate The Positive,” which allowed Kestler to showcase her intelligent and at times, very witty phrasing. She sang the ballads “Skylark,” “Where or When,” and “The Nearness Of You” with a sexy lilt to her voice, and for these particular songs, O’Hern stepped away from his dance-hall-style to a more respectful and appropriately serious tone on piano.

They took the same approach to the seldom-performed but beautiful ballad, “How Little We Know,” from the movie The Big Sleep.

Nicole Kestler is a young but polished musical artist who takes full advantage of vocal skill, nuance, and appearance to highlight the beauty of carefully selected jazz standards. Although highly evocative of earlier times, Kestler brings unbridled enthusiasm, freshness and charm (plus more than a little personal smoky, sexy magic) to the standards.

Her ability to perform in other musical styles in no way diminishes her obvious respect for (and excellence in) performing songs from the Great American Songbook.

For more information contact nicolekestler.com or katerinas.com.

Chicago freelance writer Randy Freedman is a jazz connoisseur, photographer, food critic, humorist, and devoted music fan. He is a regular contributor to Chicago Jazz Magazine.


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